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December (Classic Reprint)

December (Classic Reprint)

137201112
1150 руб.
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Описание
Excerpt from December

IN this volume the editor has endeavored to bring together the principal poems in English and American literature referring with more or less directness of allu sion to December and the early winter. That the com pilation is an exhaustive one he does not claim; but that it does represent, with a reasonable degree of complete ness, the poetry of December, may fairly be assumed. Christmas poetry constitutes a department di litera ture by itself, and, therefore, would hardly be looked for in so small a volume. Domett's Christmas Hymn could not, of course, be omitted; but the other Christ mas poems which are found here, are those which refer rather to Christmas associations and surroundings than to the religious aspect of the season. It is not proposed to enter the field of translation in this and the succeed ing volumes of the series; and the rare exceptions to this rule, which may perhaps be noted in the volumes, will owe their places in the collection to some peculiar fitness for the niche in which the editor has thought best to place them.vi prefa ce.

The editor takes this opportunity to thank the many authors who have allowed him the use of their poems in this volume, - Mr. Parke Godwin, for his permission to copy from Bryant's poems; Miss Emily C. Weeks, for her permission to quote from the poems of her brother, Robert K. Weeks; and the Century Company, for their courtesy in relation to various poems of which they control the copyright.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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