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Conceptual Thinking in Piano Playing. Technique and Style
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Автор на обложке
Svetlana Karas
Год выпуска
2024
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Мягкая обложка
Тип книги
Печать по требованию
Язык издания
Английский
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Черно-белая книга в цветной мягкой обложке.
Книга изготавливается по технологии “печать по требованию”. Срок печати 96 часов.
The textbook is based on the approved author’s method of the professor o
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Черно-белая книга в цветной мягкой обложке.
Книга изготавливается по технологии “печать по требованию”. Срок печати 96 часов.
The textbook is based on the approved author’s method of the professor of the Music Education Department of the Moscow State Institute of Culture S.S. Karas, which consists in a systematic approach to teaching the principles of musical and performing thinking. The textbook consists of four parts and covers all the main styles of piano music with a detailed practical analysis of style differences in the musical language and performance technique.
Книга изготавливается по технологии “печать по требованию”. Срок печати 96 часов.
The textbook is based on the approved author’s method of the professor of the Music Education Department of the Moscow State Institute of Culture S.S. Karas, which consists in a systematic approach to teaching the principles of musical and performing thinking. The textbook consists of four parts and covers all the main styles of piano music with a detailed practical analysis of style differences in the musical language and performance technique.
Оглавление
PART I. STYLE CHARACTERISTICS OF THE PERFORMANCE OF POLYPHONIC MUSIC OF THE 18TH CENTURY (J.S. BACH)
- CHAPTER I. THE METHOD OF FORMATION OF AN IMAGE-REPRESENTATION WHILE WORKING AT TWO-PART POLYPHONIC WORKS. J.S. BACH
- J.S. BACH. 15 two-part inventions
- Section I. INVENTIONS WITH FEATURES OF TOCCATA IN THE CHARACTER OF PERFORMANCE
- §1. INVENTION in C Major, No.1
- §2. INVENTION in D Minor, No. 4
- §3. INVENTION in E-Flat Major, No. 5
- §4. INVENTION in F Major, No. 8
- §5. INVENTION in A Major, No. 12
- Section 2. INVENTIONS OF THE LYRICO-PHILOSOPHICAL CHARACTER
- §1. INVENTION in C Minor, No. 2
- §2. INVENTION in F Minor, No. 9
- §3. INVENTION in G Minor, No. 11
- §4. INVENTION in A Minor, No. 13
- §5. INVENTION in B Minor, No. 15
- Section 3. INVENTIONS WITH DANCE FEATURES IN THE CHARACTER OF PERFORMANCE
- §1. INVENTION in D Major, No. 3
- §2. INVENTION in E Major, No. 6
- §3. INVENTION in E Minor, No. 7
- §4. INVENTION in G Major, No. 10
- §5. INVENTION in B-Flat Major, No. 14
- CHAPTER 2. METHOD OF IMAGE-REPRESENTATION FORMATION IN THE WORK AT POLYPHONIC COMPOSITIONS. J.S. BACH. PRELUDES AND FUGUES (WTC, VOLUME I).
- Section 1. SCHEME-MODEL OF IMAGE-REPRESENTATION FORMATION IN WORK AT POLYPHONIC COMPOSITIONS
- §1. IMAGE-REPRESENTATION AND EMOTIONS
- §2. SOUND IN IMAGE-REPRESENTATION
- §3. INTONATION IN IMAGE REPRESENTATION
- §4. BALANCE OF SEVERAL PARTS IN IMAGE-REPRESENTATION
- §5. SPATIAL SOUND INTERRELATIONS WHEN FORMING THE INTEGRITY OF A SECTION
- §6. INTEGRITY OF THE IMAGE-REPRESENTATION
- §7. ORGANIZATION OF MENTAL ACTIONS AS A BASIS OF PURPOSEFUL FORMATION OF IMAGE-REPRESENTATION
- Section 2. J.S. BACH. PRELUDES AND FUGUES (WTC), Volume I, No. 1, 2
- §1. PRELUDE and FUGUE in C Major
- Prelude I in C major
- Fugue I in C major
- §2. PRELUDE and FUGUE in C Minor
- Prelude II in C Minor
- Fugue II in C Minor
- PRACTICAL PIECES OF ADVICE FOR INDIVIDUAL WORK
PART II. STYLISTIC FEATURES OF CLASSIC SONATA PERFORMANCE
- CHAPTER I. THE METHOD OF FORMING AN IMAGE-REPRESENTATION IN THE WORK AT A CLASSICAL SONATA
- Section 1. VIENNA CLASSICS
- §1 J. HAYDN. SONATA in E Major, No. 15
- Movement I. Moderato
- Movement II. Minuet
- Movement III. Presto
- §2. L. Van BEETHOVEN. SONATA in G Major, Op. 49 No. 2
- Movement I. Allegro ma non troppo
- Movement II. Tempo di Menuetto
- §3. W. A. MOZART. SONATA in C major K No. 330
- Movement I. Allegro moderato
- Movement II. Andante cantabile
- Movement III. Allegretto
- PRACTICAL ADVICE FOR INDIVIDUAL WORK
PART III. STYLISTIC FEATURES OF PERFORMANCE OF THE ROMANTIC MUSIC
- CHAPTER 1. THE METHOD OF FORMATION OF IMAGE-REPRESENTATION IN THE WORK AT A ROMANTIC PIECE
- Section 1. EUROPEAN ROMANTIC MUSIC
- §1. I. BRAHMS. WALTZ in E Major, Op. 39 No. 2
- §2. R. SCHUMANN «A WOEFUL PREMONITION» (Album Leaves, Op. 124 No. 2)
- §3. F.CHOPIN. NOCTURNE in F Major, Op.15 No.1
- Section 2. RUSSIAN MUSIC
- §1. P. TCHAIKOVSKY. «NEAPOLITAN SONG» Children’s Album, Op. 39
- §2. A.SCRIABIN. ALBUM LEAF, Op. 45 No. 1
- §3. S. RACHMANINOFF. ÉTUDE-TABLEAU (A STUDY-PICTURE) in G Minor, Op.33 No. 5
PART IV. STYLE CHARACTERISTICS OF THE PERFORMANCE OF MUSIC OF THE XX AND XXI CENTURIES
- CHAPTER I. THE METHOD OF FORMATION OF IMAGE-REPRESENTATION IN THE WORK AT A MODERN PIECE
- Section 1. EUROPEAN MUSIC OF THE XX — XXI CENTURIES
- §1. B. BARTOK. TWO SKETCHES, No.6 and No.2 from Sketches, Op. 9 / b
- §2. K. DEBUSSY. “FOOTPRINTS IN THE SNOW” SEVEN SKETCHES PRELUDES, Book I, L.117 №6
- §3. A. SCHOENBERG. TWO LITTLE PIECES (Six Little Pieces, Op. 19)
- Section 2. RUSSIAN MUSIC OF THE XX — XXI CENTURIES
- §1. S. PROKOFIEV. TRANSIENCE, Op. 22 No. 14
- §2. R. GABICHVADZE. «TWO SKETCHES FROM THE CARTOON»
- §3. R. SHCHEDRIN. BASSO OSTINATO
- PRACTICAL RECOMMENDATIONS FOR INDIVIDUAL WORK
- CONCLUSION
- REFERENCES
- Артикул
- 1494974622
- Автор на обложке
- Svetlana Karas
- Год выпуска
- 2024
- Тип обложки
- Мягкая обложка
- Тип книги
- Печать по требованию
- Язык издания
- Английский
- Количество страниц
- 223
- ISBN
- 978-5-0059-9756-2
- Возрастные ограничения
- 12+
- Документы качества:
- Товар не подлежит обязательной сертификации
Подборки товаров в категории Книги: Искусство и культура
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Conceptual Thinking in Piano Playing. Technique and Style
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