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Catalogue of Museum Loan Exhibition of Work by the California Group of Contemporary American Artists and Toby E. Rosenthal Memorial Exhibition (Classic Reprint)

Catalogue of Museum Loan Exhibition of Work by the California Group of Contemporary American Artists and Toby E. Rosenthal Memorial Exhibition (Classic Reprint)

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Описание
Excerpt from Catalogue of Museum Loan Exhibition of Work by the California Group of Contemporary American Artists and Toby E. Rosenthal Memorial Exhibition

This Museum Loan Exhibition of work by the California Group of Contemporary American Artists marks another step in the development of our Museum policy, which I believe will be of interest and value to the public that visits the museum in the Palace of Fine Arts, no less than to the artists themselves.

In these galleries, henceforth dedicated to a permanent loan exhibition of some phase of contemporary American art, we hope in time to establish a standard of excellence which will more and more approximate the best Museum standards, thereby furnishing some sort of criterion whereby progress in modern art may be appraised. For this purpose only those artists who have attained to some recognizable form of personal expression have been invited to participate, and for this reason we have besought each artist represented to send whatever might be most characteristic of his particular point of view, irrespective of whether this might be his oldest rather than his newest work. Ofttimes the latter marks a transition from one state of development to another, rather than the mature expression of a fully accomplished realization wherein the clearly denned lines of the artists own physiognomy are discernible.

In the firm belief that the incessant search for mere novelty pursued by the restless and feverish votaries of the new leads only to confusion, and that our understanding of any work of art grows by repeated study, we have encouraged the inclusion in this collection of many works already exhibited here and elsewhere. By this means only can something approaching real Museum standards be established.

Indeed, the chief aim and purpose of this collection is to bring together, for the sake of comparative study, whatever in our art may appear to have achieved the distinction of personal flavor and thereby some degree of permanence, and, needless to say, these qualities are more readily apparent in older than in new works.

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