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Picture Studies (Classic Reprint)

Picture Studies (Classic Reprint)

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Excerpt from Picture Studies

The object of this series of picture studies is to place in the hands of the student a definite plan of approach and an introduction which may lead to a better acquaintance with the world of art. Although most of the text has been prepared for children, the language is not too simple for anyone beginning the study of pictures. Advanced students will find the subject of this study exhaustively treated by many critics whose works may be found in Public Libraries. A bibliography for such students is given on page 30.

The picture talks which accompany the prints give only such details of the artist's life as are necessary for the proper setting. The artist's point of view, the limitations and influence of his environment, must be taken into account in order to understand his pictures.

But while pictures reflect the times of the artists, they also embody living principles, else they would not endure. The thought content must be of universal interest, appealing to common emotions, and the composition must be dignified and restful, with satisfying decorative quality. Only those artists have been selected who are approved by the verdict of the ages, or whose work seems to possess living qualities.

A knowledge of pictures comes through familiarity with the pictures themselves, rather than much reading about them. This series puts before the student a large number of pictures with a few paragraphs about each one. Similarities and differences are quickly found with the joy of a discoverer.

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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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